简介：In 2011, Lisa Hepner and her husband Guy Mossman heard about a radical stem cell treatment for diabetes, a disease that shockingly kills more than five million people each year. Driven by a desire to cure Lisa of her own type 1 diabetes (T1D), the filmmakers were given unprecedented, real-time access to a clinical trial -- only the sixth-ever embryonic stem cell trial in the world. What follows is an intimate journey with the patients and scientists who put themselves on the line to be first.
简介：弗雷（塞缪尔·杰克逊 Samuel L. Jackson 饰）在铁窗之后度过了漫长的二十五年，终于刑满释放重见天日的他发誓，再也不要回到那狭小的监牢之中，过那种不见天日的痛苦生活了。二十五年，整个世界仿佛变了个模样，弗雷对未来充满了希望，但又惴惴不安。一位名叫艾瑞斯（鲁丝·内伽 Ruth Negga 饰）的活泼女子出现在了弗雷的身边，她的乐观和不羁令弗雷渐渐找回了自信，丢掉过去了阴霾，彻底融入新的生活，可是，曾经的搭档的儿子伊桑（卢克·科比 Luke Kirby 饰）的出现让弗雷明白，过去永远都不会过去。阴险狡诈的伊桑将目标放到了艾瑞斯的身上，这是弗雷不可触碰的底线，为了艾瑞斯，他决心再次铤而走险。
简介：After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)